Sunday, December 11, 2011

Zora Neale Hurston

Zora Neale Hurston (1891 - 1960) was a fearless, spirited, collector and keeper of the culture. She was a Black woman who lived in the historic town of Eatonville, Florida. She lived...studied, researched and documented oral histories, praise songs, work songs, folklore, home remedies, survival stories, negro dialect ...just to name a few. She was a folklorist, prolific writer, actress, playwright, anthropologist; and she published many works of varying genres. Unfortunately, she died indigent in a nursing home and her books were in obscurity and out of print.

Praises to Sister Alice Walker for giving her a proper tombstone, and especially for resurrecting her books and putting them back into circulation. What would literature be without..."Their Eyes Were Watching God?" That book is such a phenomenal love story.

Zora's insight into cultural nuances and traditions were one of the major catalysts in my life as a Black, female writer. She wrote stories that spoke of the "richness" and value in the everyday lives of Black people. Just a little tip, if you have difficulty reading "negro dialect" (as I did with some of the words, at first) then read her works outloud. I would love to be serenaded by a man reading Zora to me... Her words are magical, she captures the rhythm and flow of Black folks and weaves it into captivating novels, dramatic presentations and powerful short stories. In the words of Zora: "Nothing that God ever made is the same thing to more than one person. That is natural. There is no single face in nature, because every eye that looks upon it, sees it from its own angle."...taken from Dust Tracks On A Road (Zora's autobiography)

http://www.zoranealehurston.com/
www.zoranealehurston.com
Zora Neale Hurston is considered one of the pre-eminent writers of twentieth-century African-American literature. Hurston was closely associated with the Harlem Renaissance and has influenced such writers as Ralph Ellison, Toni Morrison, Gayle Jones, Alice Walker, and Toni Cade Bambara.

5 comments:

  1. Yes Zora was one of a kind- I love her works- I understand she and Langston were buddies-Would have loved to listen in on some of those discussions- To have experienced Langstons exp from being at LU years later was a true blessing- I really like your blog-Keep writing Sister Helen -Good stuff- PS- Nxt Saturday Dec17 from 3-5P at the Black Writers Museum-Maplewood Mall GErmantown legendary - Sister Sonya Sanchez is doing a book signing-May want to check it out-Peace and Blessings-shelaj

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  2. As for the dialect, coming from the south, I actually used to speak that way. It took a lot of unlearning when I came here to drop that. When I home for a visit my family chastised me for sounding saditty 'cause I moved to the city.

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  3. Isn't it interesting how people are perceived and judged by the dialect they speak and the words they use. What I find revolutionary in a sense is that Zora's works not only were written in negro dialect; but as an anthropologist she studied black folks language patterns, stories and traditions in regions all over the south, Haiti, Jamaica and documented and validated these language patterns in an era when mainstream White America did not honor, respect or value them. So she stood up, often alone - with some people thinking she was too eccentric, too brazen and too fearless. Yet, she was a trailblazer in so many ways. Once I learned of Zora's path and journey through studies, travels, field work and writing...I was hooked!!! I became fascinated and interesting in developing some of my own connections in parts of the south (South Carolina and the sea islands off the coast of Georgia) to learn more about and produce a documentary film and book that captures all of the African traditions that have been kept alive for generations by Black folks - from the Continent of Africa thru the Middle Passage, enslavement, Jim Crow, Civil Rights era...and still are alive today "unintentionally." I'm talking about those everyday practices, expressions, and even occupations- (shrimpers, basket weavers,etc) that people do been simply because it is what they have always done.

    I have family by marriage from Hilton Head, SC and Mt Pleasant, SC and you see and hear such deep African rhythms and it needs to be preserved. I also met a woman in SC who helped to found the International Association of Basket Weavers. They weave intricate baskets out of sea grass, and a dear Sister/Mentor (to me)/Professor...Dr. Rosalind Jeffries (Internationally recognized Art Historian) said the patterns in their baskets is identical to patterns in baskets in West Africa...so it lives on! Strong Roots!!! Hopefully & prayerfully that is one of my personal & professional goals in 2012 to spend some time down in SC.

    I would like to plan/sponsor a Low Country Artist Retreat for an extended weekend (Friday to Monday) on Sapelo Island, Georgia around late July or early August 2012. We would stay in a small rustic lodge, prepare our own meals, and eat communally, spend time daily at the ocean's edge (maybe doing some yoga, stretches, exercise or just chilling), go out on a small boat, take hikes...and record our thoughts, ideas, experiences in whatever way we choose...writing, poetry, drawing, singins, playing an instrument, dancing, moving...etc. and share them with each other. I would try to schedule a guest speaker who is born on raised on the island and a published author of s great novel. The lodge sleeps 8. Anyone interested?

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  5. I really like the idea of the retreat. As long as the date didn't conflict w/my youngest's birthday (16th) or either of their college stuff (?), I'd be fine w/August. July is pretty wide open for me. Keisha S-C

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